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Afrika before our very eyes… PACA’s Dak’Art 2016

By Ayo Adewunmi and Frank Ugiomoh   |   26 June 2016   |   1:44 am
During the opening of PACA’s exhibition at Dak’Art biennale 2016, in Dakar, Senegal…recently

During the opening of PACA’s exhibition at Dak’Art biennale 2016, in Dakar, Senegal…recently

The Pan-African Circle of Artists (PACA) made its fourth appearance at the Dak’Art Binnale with the Exhibition and Roundtable under the theme “Afrika before Our Very Eyes”. The exhibition which took place at the Boribana Museum, 109 Ngor Road, Dakar, Senegal from May 3-7 2016 was opened by the Minister for Culture and Communications, Mr Magnick Ndiaye who attended the event in company of the Minister of culture, Cote d ‘ Ivoire,. Nineteen artists from six countries participated at the PACA Dak’Art Off 2016.

Mr Magnick Ndiaye who declared the exhibition open, on May 7, 2016, immediately after the roundtable, commended PACA for its effort at bringing African artists together. The curator of Boribana Museum, Mme Hawa Mara, remarked that she was happy with the collaboration. She thanked all the sponsors of the exhibition and praised the efforts of Mor Faye in curating the event. Mor Faye, commented that PACA Dak’Art Off which began in 2010 at Leopold Sedar Senghor’ Cultural Centre, Pikine has witnessed steady growth in number of participating countries and also in the quality of exhibition. He commended PACA’s determination in promoting and propagating African art and artists, adding that PACA has always used the opportunity of its Dak’Art Off to hold roundtable on crucial issues bordering on the development of Africa.

In 2012, PACA held its exhibition and roundtable with the theme “Africa and the Politics of Postcoloniality at the Monument of the African Renaissance. The 2014 theme was “Afrika: Plurality In Uniquenes. The exhibition and roundtable took place at the Blaise Senghor’s Regional Cultural Centre.

Commenting on the exhibition, the Secretary General of Dak’Art Biennal Mr Rassoul Seydy congratulated PACA for its 4th Dak’art Off exhibition and commended participating artists from other countries for sponsoring themselves to Dakar.

Nigerian artists who participated in PACA Dak’Art Off included Kent Onah, Dr. Kryds Ikwuemesi, Prof. Cliff Nwanna , Ayo Adewunmi, Izuchukwu Muoneme, Mbadimma Chinemelum Nduoma, Okechukwu Eze, Sir Joseph Ejiamike and Emeka Egwuibe. According to the Secretary of PACA-Nigeria, Onah, having participants from six countries is symbolic and indicative of the fruits of PACA’s Overcoming Maps (the PACA Study Tour of Africa) which took PACA on road tours of 11 African countries between 2001 and 2010. He noted that the last tour in 2010 was in Gambia and Senegal, and that the same year PACA had its first Dak’Art Off.

Dr. Ikwuemesi stated in his introductory text of the catalog: “The present exhibition is located at the crossroads of Africa’s history, where the will for development is wrestled by the reality of underdevelopment. In vivid colours and clear elegant forms, the collection captures our place as captives of history and politics on that crossroads. The works then become totems of hope and tend to renew our faith in a fateful but seemingly failing journey of a people who should have so much to offer the modern world”.

Held at the Boribana Museum, it was directed by Frank Ugiomoh, the Yemisi Adedoyin Shyllon Professor of Fine Art and Design and Professor of history of Art and theory, University of Port Harcourt, who also gave a lead presentation on the theme, “Africa Before Our Very Eyes: Globalisation And Change”. The theme of the 2016 biennial “Re-enchantments” informed the topic and trajectory of the roundtable. Re-enchantment as a theme by the biennial curator calls for an African gaze, the way other cultures have come to embrace global cultural politics arising from the Enlightenment ideology, which has impacted on the way other cultures engage cultural production as well as the definition of their artworld, require reconsideration.

The event started by recognising the cartographic boundary of Africa and all that is contained in it as the focal point of discourse. The position foreclosed earlier efforts to culturally balkanise the continent and its people. The continent, no doubt presents a heterogeneity in its cultural definitions. However, such occurrence is the norm and not the exception. Within the framework of contemporary globalisation and hiked intercultural dialogue and negotiations should be nothing other than change. Referencing the truth encapsulated in the words of the African philosopher and sage, the late President Leopold Sedar Senghor that we are all products of “cultural half-castes,” Professor Ugiomoh emphasised the need to embrace on-going realities of cultural change.

He made allusion to the depth of civilisation in Africa put conservatively at 70,000 BC, and asked rhetorically if anyone living today had the privilege of knowing that past. By implication, then, for those who mourn changes in culture can they reconstruct the past they were never part and of which knowledge they lacked. In other words, our cultural trappings were never the same since 70,000 years ago definitely.




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